Affirm Press’ bestselling 2016 novel The Birdman’s Wife by Melissa Ashley has won the Australian Booksellers Association (ABA) Booksellers’ Choice Award.
I read Melbourne author Christian White’s DECAY THEORY in a day, a night and a morning. I was absolutely enthralled; my family didn’t get a look-in. Christian writes with a kind of magic, and I was under his spell from the very first page.
It sounds ridiculous, but I didn’t realise until pretty late in life that books were made by people or that you could work as part of that world. But one of my earliest memories is reading The Pokey Little Puppy on my mum’s lap, squished into her brown 70s rocking chair, which we used to do a lot.
If one in five Australian families are blended, then there must have been plenty of people like Kelly Chandler who fell in love and then ended up with an instant family.
The Birdman’s Wife shortlisted for the General Fiction Book of the Year – Australian Book Industry Awards
We’re incredibly proud that Melissa Ashley’s The Birdman’s Wife has made the Australian Book Industry Award’s shortlist for General Fiction Book of the Year.
We did something a bit bold this year when we did our award entries for the ABIAs and decided not to enter the ‘Small Publisher’ award categories. We have always maintained that book-by-book we can compete with anyone, and it’s a mindset we encourage all our stakeholders to adapt. We also think that considering ourselves as a small publisher is a self-fulfilling prophecy, whereas we want to be a big publisher but still retain the […]
It’s especially satisfying because one of my girls was a reluctant and not-very-confident reader this time last year. Last night, and here’s the reason for my indulgent post, we had ‘a moment’.
The aim of the Mentorship is to help writers get their manuscript to a publishable standard and, if the process is successful, for Affirm to publish the work.
Repose. Tendrils of longing, right to the ends of my fingertips, straight to the depths of my heart. I had been craving it for years, and there it was, in a farmhouse in Italy.
It was my secret hope that Elizabeth Gould’s iconic lithograph of the superb fairy wren featured in the cover design for The Birdman’s Wife.
People can’t live by poetry alone. But I know I couldn’t live without it.